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Wednesday 29 October 2008

pedestrian pleasure on the Kalalau trail


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I live the scramble of Honolulu to go to Lihue, main town of the Kauai island the local people and travel agencies generally nickname the garden Isle. As soon as I get out the airport I hold my thumb up to request a helping person to stop. I cover 50 miles by hitchhiking to reach the Kee beach at the north. Impossible to go further by car, the asphalt ribbon fades at the foot of the Na Pali cliffs; the next sides and coves, it's with the strength of the calves we have to explore them. The last host, who kindly takes me at the back of his pick-up, gives pieces of advice about the trek while I fasten my backpack.
It's late in the afternoon and I won't go further than the first campsite, the Hanakapiai beach, a little bit more than one hour from the beginning of the path. The low-key and soothing place would make the camping of the south of France green with envy. I lay down my tent near the river and near the beach at the same time. A luxury I savour sitting on a rock, the eyes drown into the ocean. A wonderful sunset intertwined with oceanic rumbles and invigorating sliding of freshwater. The name of this beach comes from a upstream waterfall. A narrow path drives me to this water stream, a private show I intensely enjoy.

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I hastily take down my tent. I put again my bag onto the back and step on the red-earth track which snakes towards the heights. The Hanakapiai beach looms downhill and the cliffs, built into the volcanic rock, weave the theater of my next hours of walking. A demanding hike where the stretches of flat ground don't exist to leave a clear way to exhausting ascents and staggering and slippery descents. Clung to this wild nature, my steps carefully go ahead on the ledge of the cliff while a jaw of foam roars at its feet. More I move forward and more the coves and promontories seem to follow on endlessly.
A strip of sand shyly stands in the distance, that's Kalalau beach, final point of the trek. But, as I trudge over the last crimson-clay mound, I can't go further. I put down my backpack; the beauty of the volcanic ridges draped on the cliff gives me the sensation of flying. A torrent of colours kissed by the setting sun. a green cover tops the black rock which overlooks the surroundings. The red earth which supports my steps dies down a pebble beach, wet by an azure-blue water dotted with milky-dressed rollers. The carpet of ochre sand at the end of the path waits for me. The tiredness vanished into the air while I start again my walk on this blessed soil. I undo my shoes and finish the last meters gliding bare-feet on this damp sand.

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For three days, I live in this shangri-la with only a dozen of lucky people. An evening, the urge to sleep inside the cave is too tempting and I abandon my tent for a night to be even closer to the nature. In the morning I peer the beach, the tent disappeared! The incredibly powerful nocturnal waves overstepped the dune and swept my canvas shelter away, it finally finished its trip at the font of the cliff. Getting the tent out of the sand, rinsing it out and making it dry occupy my morning. My feet dig furrows into the ground to find the pegs. Damages are minor with a waterlogged travel guide and MP3 player out of order. These incidents don't make the happiness to be here weaken. But each moment of joy as intense and overwhelming it is collapses into a more or less painful and appaling end. In the morning of the fourth day, I restack my stuffs and start again. 6 hour of a demanding walk when I unfold the scenario in the opposite direction. As I hike out the path, I see others trekkers who enjoyed the same emotions among the Na Pali cliffs. We chat, forgetting the time. The dusk comes faster than I had imagined and homeless for the night, I settle under a table in a public park. A star-free night but spangled with colourful sequences of the marvelous Kalalau trail.

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Friday 17 October 2008

some fears on the Yasur volcano

From a tip to the other one of the Vanuatu archipelago, I leave the underwater scenery of Espiritu Santo to dive into the smoking steams of the Yasur volcano on the Tanna island. A 20-seat small plane drops us off at the tiny airport of Lenakel. In the arrival hall, a driver of the Jungle Oasis resort (a gathering of wooden huts built for the tourists) holds out a sign with the name of the campground on it. I unload my bag at the back of the pick-up and we head towards the inside of the island. An about-2-hour lift on a road furrowed by continuous rains. The abundant vegetation isolates me from the sight of the surroundings. We go over a hill where the view clears out and we dash down again into the meanders of the forest before the verdure suddenly stops, pushed back by a grayish strange sand made up of minute particles of pumice. The Yasur volcano spreads out its claws and marks its territory outwards the crater. A hoarse rumble soars out of the gray thickness. A shout of an angry nature who shows the beginnings of an encounter with an genuine active volcano which expresses itself by expelling its venom of lava.
One of the singular activities, probably unique in the world, is the opportunity of surfing on the ashes of the volcano. Jungle Oasis owns a worn-out, bad-quality snowboard which will do for the occasion (I will learn later it was possible to rent a better snowboard at the next-door village). The ascent is exhausting with an eye riveted skywards, at each new chuckle of the mountain. Each step sinks deeply in the particles of ash. Practically arrived at the top, I put on the board and face the steep slope. I make up my way onto the volcano. A total freedom punctuated by otherworldly splutters which make me jump at each new expression. A unique experience in a unique scenery.

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However, the main part of the action stimulated by a pathological curiosity drives me to the origin of this telluric cough. From the campground, it's a 45-minute short walk on a 4WD path. I pay the right of going ahead at the end of the village and stride along this rocky-ash-covered soil. The greenery-clad sides accompany my stroll when the track opens out a car park where several 4x4 vehicles are still there. A mailbox (the only one on a volcano!) marks the beginning of the final path dotted with the footprints of number of thrill-seeking adventurers wannabes. The detonations sound clearly when a explosion, louder than the others, propels glowing residues high in the sky. My eyes rise, a natural firework illuminates the firmament. The survival instinct of each guest present on this inhospitable land assesses the size of the lava projectiles. No worries for this time, each chunk of magma heavy falls down in the crater. A muffled and choked sound which leaves us a break before the next explosion. I sit down and wait. The roars are constant and the episodic gushing out of melting rock delight the spectators. With this hint of continuous fear when the reddening mouth spits out its drops of lava, each one lift his eyes towards the highest particles and size up their potential danger as they fall down.
The next day, I climb again the Yasur, the viewpoint of the last day is filled with smoke and I stop on the right side of the crater. The activity seems calm until all the visitors of the evening leave the place. I'm alone. The crimson shine of the volcanic hearth breaks through the black night. A weird feeling takes me up, an awe-inspiring mixture of curiosity and fear. The reason should have wanted me to go down with the last tourists and yet the irresistible urge to remain, to listen to and to marvel at another explosion, to thrill again at the rhythm of the earth vibrations. But, the activity of the volcano increases, the interval between two expressions reduce and the incandescent shells fly higher and higher. My heart palpitations fidget far beyond bearable, I stand up and clear off. The volcanologist Aroun Tazieff will wait to find a successor. However, reminding it again, how exciting it was to be sitting alone at the edge of this crater.

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Friday 10 October 2008

Diving in another dimension: the SS Coolidge wreck

As soon as I set foot at Port Vila in Vanuatu, I fly off to another island, Espiritu Santo. On the spot, the main attraction is called SS President Coolidge, the biggest diveable wreck in the world. Extraordinary dimensions combined with the mind-blowing effects of the narcosis are the ingredients of the submarine cocktail I injected myself for one week. Except the hardline enthusiasts of the coral reef, the Coolidge wreck fills any divers avid for subaquatic exploration with joy. History has it that the SS Coolidge was a luxury liner such as the Normandie or the Queen Mary and sailed in the Pacific ocean linking San Francisco, its port of registry, with Philippines, Japan and Hawaii. When the Japanese attacked Pearl Harbour, the ship was requisitioned to be changed into a troop carrier. During a mission, while it had to transport a 5000-people regiment, it hit a mine and sank close to the shore of the Espiritu Santo islands in the New Hebrides (former name of Vanuatu).
Several decades later, at the era when diving was done without computer, depth gauge and torchlight, Allan Power explored the wreck and never left it. Better than anybody, he knows this ship. Every corner, every china plate of the kitchen or every remnant of the vehicles shattered in the cargo hold. At the end of a dive, he will tell us some anecdotes about “his” boat; How he discovered the Lady, the salvage of the propellers blades in order to be sold to Japan, the different weapons we can or could find on board.
From the stern which is lying on the sandy bottom to the bow which points at the beach, the former ship stretches on its port side. My different explorations take me to the maze of its bowels. Sometimes lost in the complete darkness and sometimes swimming in three dimensions between the beams of the upper deck. Each dive is a delight with the same ritual, departure from the beach, we follow the rope up to the bow of the wreck. We choose a gap and the guided visit begins. One day we flipper-kick to the Lady, a porcelain icon who is sitting on her white horse, and another one we linger on the promenade deck where shafts of azure light pierce from all the holes and portholes. Huge corridor on a deck and precious details of the passengers everyday life on another one, the Coolidge is packed with secrets.
Another time, sliding into the big blue down to 50m, narcosis-addicted, we even kick further deep to observe the 3-inch and 5-inch guns before going on with the sternpost of the boat, its 2 shafts, one rudder, the semicircular “President Coolidge” writing on the stern. Then we swim along the side. A part of it is smashed up, it's at this place the mine exploded against the ship and caused its loss. A few meters away, in the heart of the liner, porcelain washbasins, crockery, soldier helmets, gas masks, a typewriter display as evidences of a suddenly-stopped past life. The passageways unveil the excessive proportions of the ship and slight cracks let some rays of light go through which show us the way and delimit a bluish watercolour among the world of silence. Within the darkest corners, glow-in-the-dark fish blink. We go through tiny gaps to move to another deck and marvel again in front of this iron-clad cathedral built in the superstructures of the liner.
Another time again, we get to the Saloon where coca-cola glass bottles have pride of place beside the soda fountain. A few kicks away, the writing indicates « Doctor ». On his desk, test tube, phial containing some surgical thread and glass syringe are lying about.
Each new dive is unique, intoxicating, mystical and teach us how to lose our way inside this gigantic wreck. Impossible to remember the way covered, the only sensation of wandering about into the labyrinth of its compartments is enough to delight us. After 10 dives, the urge to get lost into the meanders of its superstructures is still itching.

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And to kill the time of the long over-half-an-hour decompression stops, Allan Power has built an underwater garden made with corals, anemones and its surrounding fauna. Everyday, he dives to devote himself to this singular passion by moving or dusting the corals. To us, the time seems to run faster in front of these clown-fish and porcelain crabs, patiently waiting for eliminating our excess of nitrogen and for getting over our emotions lived in the passageways of the Coolidge.

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